Browsing by Author "Gerelus, Karen"
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Item Open Access The Musical Identities of Piano Students: A Phenomenological Case Study(2022-09) Gerelus, Karen; Burwell, Catherine; Gereluk, Dianne; Groen, Janet; Seidel, Jackie; Bell, Adam; Burland, Karen; Creech, AndreaIt might be said that everyone has a musical identity. Whether you casually sing in the shower or seriously study Classical piano, music holds a role in everyone’s daily life. But what does it mean to incorporate the term musician into your identity? How does being a musician hold a place for who you are and how you describe yourself to others? This research investigated the musical identities of adolescent students in private piano lessons, with supporting evidence from their parents and piano teachers. It was formed around two research questions: How do piano students construct their musical identities and understand themselves as musicians? What kinds of experiences contribute to the formation of a salient musical identity? Drawing from a phenomenological approach, semi-structured interviews, photovoice, demographic surveys, and lesson observations brought forward the experiences which shaped students’ identities. Results suggested that the social environment, possible selves, and motivation were important themes in the formation of a musical identity because they provided experiences which shaped how students understood themselves as musicians. Beyond these three main themes, ability, choice, and relationships arose as their own emerging areas of consideration. Implications for teachers, parents, and students are provided, such as gaining a better understanding of student-centered learning to improve students’ experiences with piano lessons and harness more salient musical identities. This study offers an unprecedented use of photovoice methodology in music education research, and is unique in its focus on the musical identities of adolescent piano students. Further, this study offered a concurrent conceptualization of social environment, possible selves, and motivation. It connected the topics of musical identities and student-centered learning, providing new contributions and challenges to traditional piano pedagogy.